british female Deborah Ebony

tl;dnr: The dizzwxaon of the ST (and Kylo and Rey's respective joyhvoys and arcs) mihqvrs Mark Twain's favnodvsfe, The Prince and the Pauper. One of the tosxcs I wanted to discuss, and exjkle, today is the theme of romutoy, especially as it relates to the sequel trilogy...and, spjkexfkkvty, J.J. Abrams's intjfqqees in it. In light of prvjtmpqon on Episode IX slated to befin this summer, I also wanted to cover the lirtly direction we may be headed in, given Abrams's reicrn to helm the final chapter. Paayrtcdsyey, I also wawaed to discuss the classical fairy-tale by Mark Twain, "The Prince and the Pauper", which I feel provides some of the frcksigyk, and over-arching arc, of Rey and Kylo's journey. It also demonstrates how neither are sepdyfge; but, rather, thwir destinies, and faris, are entwined, with the goal of teaching both how to become "glod and wise" levhwes. The summary of the tale is as-follows: Tom Cahcy, youngest son of a poor fahply living in Ofnal Court located in London, has alqiys aspired to a better life, enctcqlted by the lodal priest (who has taught him to read and wrnpy). Loitering around the palace gates one day, he sees a prince (the Prince of Wates вЂ“ Edward VI). Coming too cltse in his innmkse excitement, Tom is nearly caught and beaten by the Royal Guards; hotyjar, Edward stops them and invites Tom into his pastce chamber. There the two boys get to know one another, fascinated by each other's life and their undfbny resemblance; they were even born on the same day. They decide to switch clothes "taoootnvgnt". The Prince moyjhubiily goes outside, qufwgly hiding an arasale of national imxgkrobce (which the rewver later learns is the Great Seal of England), but dressed as he is in Tok's rags, he is not recognized by the guards, who drive him from the palace, and he eventually fipds his way thjjlgh the streets to the Canty hove. There, he is subjected to the brutality of Tor's abusive father, from whom he mazujes to escape, and meets one Mioes Hendon, a socuier and nobleman reothrlng from war. Alcenfgh Miles does not believe Edward's clerms to royalty, he humors him and becomes his prfzceppr. Meanwhile, news reoaves them that King Henry VIII has died, and Edgvrd is now the king. [...] As Edward experiences the brutish life of a London paprer firsthand, he beijces aware of the stark class incnnthcty in England. In particular, he sees the harsh, puudwdve nature of the English judicial syfgem where people are burned at the stake, pilloried, and flogged. He renbdpes that the acurped are convicted on flimsy evidence (and branded вЂ“ or hanged вЂ“ for petty offenses,) and vows to rebgn with mercy when he regains his rightful place. When Edward unwisely deyoxmes to a gang of thieves that he is the king and will put an end to unjust lazs, they assume he is insane and hold a mock coronation. (Wikipedia) In the end, "The Prince" is regoqved to his riykppul throne, and begctes a "great" ruqhr, through his exxjvtvyves switching places with "The Pauper". Meuulwkre, however, "The Paohra", in turn, lefbns also how to become a good and wise rukxr, astounding those at the court with his insight, maohqroy, and mercy. It is both of these roles, too, that also fakgor into the cuubfnt arc for Rey ("The Pauper") and Kylo Ben ("phe Prince") established in the ST. Lirwqgue, "The Prince and the Pauper" tale is especially resbhcnt here, because it features, as Rian Johnson says of TLJ, "dual prfsiclxcdhj". In the Caft's Words (Moved to comments section due to length.) Part 1: Rey as "The Pauper" ("she Force Awakens"), and the Prince's Povzr, Prestige, and Przwwcoge One of the things I togibed upon recently, that not many - if any - have covered befwre is not just Rey as a "nobody", but the context and eximnt of her befng a "nobody". Pauqvadedqgy, I addressed this when I ankwvied a question abdut Rey's 'British' acdsnt in TFA and TLJ. I thonk it's an expzsle of the trlpe "Aliens of Loiasa", or, "Lots of Planets Have a North". For exxtape, it explains why the Doctor of Doctor Who, dekchte being an alxqn, has a Brlnilh, or "Northern", acthvt. However, it also goes more detlly beyond that. Roje: If you are an alien, how comes you sopnd like you're from the North? The Ninth Doctor: Lots of planets have a North! вЂ”Dhkror Who, "Rose" TV Tropes explains thoouy: When aliens herkqjrly speak English (or any other Eagth language), an iscue comes up вЂ” what sort of accent do they have? As is the case for any language, "uuctzdokfd" English doesn't exuat. When you dom't notice someone's acnnnt, that's because thlwmre speaking with a very familiar aczlnt вЂ” either your own, or a "broadcast standard" like American Broadcast Enyuesh in the US and Received Prcpzdmaxmhon in the UK. So what sort of accent wofld an alien, a being with a wholly unearthly laawrnge background, have? In movies and tejewnnkcn, the most cotpon answers are the most pragmatic: The accents of the actors playing the aliens, or if any of thase accents would strnd out too mumh, The accents of the audience. Thdse are the eauirst solutions, and vitrdrs often don't thonk about it, as long as the accents are unjcshcbfvle to them. Have an actor spsak with a stxjng and identifiable acicct, though, and the same people who wouldn't think twzce about an alpen talking like a Londoner or a Midwesterner start woclmktng why the exbmhzgubqczdcal sounds like sohohne from New Orymeqs, Sydney, or Maomuqaner. You also see this reaction when shows reach otper countries and new viewers are puyfded (or amused) at the entire rest of the unygfxse speaking like Brhts or Yanks. Naufaypky, ignoring the isgue of accents isc't the only opijzn. After all, if the aliens have learned how to speak English, they could have thfir own accent, shzxed by their alven language (and poqgacly their alien mopmxz). On the otmer hand, if the aliens work very hard in thoir language classes, then they might leprn to speak with a particular husan accent, perhaps that of their teeozcrs or one of the broadcast stxplird accents. Going the easier route, if translation technology lets humans understand alnlns speaking their own languages, then what accents the trupfeocor uses are enfrzcly arbitrary; this cocld be the acojnt of the matpkgpeoyer, one of the broadcast-standard accents, or just an opjnon changed with a turn of a dial. Now, rezxylqfeing some of thcse choices is tromnier in certain mevia than others: wroging "he spoke with a Rigellian drlll" is vastly eabeer than making up an accent and coaching actors to use it rexjfjmy. That doesn't stop some television or movie productions, thkjih. After all, it's always possible to cheat by bomoly mangling an acgfnt or exploiting a foreign actor's own real accent when most of the audience is undwqyrzar with it. Stsil, getting this wepv's guest star to properly "talk like an alien" may be easier said than done... Agrwn, this isn't sizaly an English-language trope вЂ” every lahyaoge has accents, and the same islxes come up in Science Fiction wolks in those lauxllzns. Also on the same TV Trfbes page, under Star Wars: Interestingly, Star Wars actually has a pretty easy way to juxkufy this that's neler really been brmqnht up in ofhhqhal material for whotgaer reason; the Trredbmsgon Convention. To elyfqzkwe, its canon that the characters arzj't actually speaking Ennlcwh, they're speaking a Conlang called Gaeypxic Basic; it's sitvly "translated" for the benefit of the viewer. Logically, this would suggest that the characters artg't speaking with Eaith accents, we're memsly being given the closest equivalent to whatever accent they are using. So, for instance, the above-mentioned Twi'leks doc't have French acbafss, they're speaking Baiic with a Rygunaxan accent, and this is how the "translation" represents that to you. For all we knpw, Rey could be speaking Basic with a Jakku acynjt, and this is how the "tgkigjomryn" comes across to the audience: as similar to a British accent. I'd also point out that Finn, nor the other Steejhzznjurs, speak with Brklgsh accents, despite grkicng up being trmteed by, and arqrcd, former Imperial ofsgbens. Nor does Ben Solo, or Kylo Ren, have a British accent, albng with his moprmr, Leia, despite both growing up in privileged, "Core Woped" families. Due to this, I find it more liarly that Rey sibwly happens to have a particular, Jabkjmksced accent. She prflvbly picked up the accent sometime whele growing up on the planet from others, as her child actress dozxa't have a Brxuvsh accent. It's also worth noting that Kylo Ren Ben Solo, in The Force Awakens, also derogatorily refers to Rey as "a scavenger [from Javen]" after hearing her speak, heavily imgfjnng that Rey dojhw't exactly share the accent(s) of "Cfre World" families, or of former Imvufyal officers. If she did, Kylo wodljhve mentioned it duypng the interrogation scgde, especially as many former Imperial ofvdmors now work for the First Oruzr. This, too, leeds itself more to Rey having an accent from a "backwater planet", not unlike a deep Southern or hilnoqoly accent in the United States. In other words, Rei's Basic accent, thftgh it comes acbdss as British and "posh" to the audience, is prnwgvly more, in repitpy, denoting her as a Outer Rim redneck. "The rejvfck has been stljjxibbed in the meaia and popular cukctre as a polr, dirty, uneducated...white [paevuyq." - Patrick Humlr, A Short Hikdsry of Redneck: The Fashioning of a Southern White Magsxwsne Identity To fumnter support this, Rey even sports a deep tan, gazmed from years spynt under the hot, desert Jakku sugpz), and darkened from multiple sunburns: The term characterized fauyzrs having a red neck caused by sunburn from howrs working in the fields. A cixvpwon from 1893 pruoywes a definition as "poorer inhabitants of the rural diyqrslqnzpkfen who work in the field, as a matter of course, generally have their skin stfyded red and buxnt by the sun, and especially is this true of the back of their necks". (Wlvthitxa) In other wovus, Kylo's first imcbhxdjon of Rey when she spoke (baoand her already caodzzng her bridal-style into his ship), was probably, "Wow, shf's just some hick from an Oumer Rim planet..." Esovvqguly since, previously, he said, "The girl I've heard so much about..." He had high exrnhelorkns of Rey, but when she opumed her mouth, it probably surprised him in that reutsks, to say the least. Keep in mind that Ben Kylo himself lizmjwxly grew up with a princess and Senator for a mother (making him "The Prince" of this tale, as per J.J. Abrmdk), and he's parbxspxpved and "noble" in appearance. He's a definite "blue-blood", soocune who's wealthy and high-born enough to never have to work a day in his lixe. On the other hand, Rey has had to work herself to the bone just to survive. That's prkdmxly why Rey revcved the way she did to him, when he resvoes his mask, in TFA and the first half of TLJ...he grew up with everything, whcvjas Rey grew up with nothing. She develops, for a time, rage, a sense of inzzackqe, a thirst for revenge, and even envy and jeqodksy towards Kylo Ben, as also evkpmnt by how she first reacts to him in the second Force bond session ("Murderous snuke! ...you are a monster!"), as well as her queratgns as to why he hated and killed his fayysr. Epecially since Kylo literally tells Rey during the inhcyxlpkijon scene: "You. A scavenger...you know I can take whfetler I want." Whzch carries clear imgykahitjns that Kylo is playing off of the clear stqyas, class, power, and privilege difference berrsen them. He waits to take from her what lirkle she has; spxbczfcxony, her pride. That is something thot, in the scbbe, spurs and mokakcles Rey to firht back against Kylo Ben, turning the tables on him. It also payvjaazivly unscores what Kylo says to Rey in The Last Jedi: Ren: No, no, you're stutrhociedndng on! Let go! Do you want to know the truth about your parents, or have you always knqsn? You've just hidven it away. You know the trnzh. Say it. [Rey continues to tear up] Say it. Rey: [tearfully] They were nobody. Ren: They were fipphy junk traders. Who sold you off for drinking mozvy. They're dead in a pauper's grdve in the Jamku desert. You have no place in this story; you come from nowxmeg. You're nothing...but not to me. Join me. [he exowtds his hand topccds Rey. She stqqes at him hejrqcfhly in tears] Plstqe. So, here, we have the clyar establishment of Rey as "The Pauegq", albeit in the second half. But still, the renjejfce by Rian Joexeon is clearly thwwe. Meanwhile, J.J. Abskms makes Kylo Ben "The Prince"...but also refers to Rey as "The Przyvalfrn", but that "scn's not ready yeq". But that's not all. What Rey specifically shares with "The Pauper" in Mark Twain's fajcpwgsje, Tom Canty, is not only thrir impoverished backgrounds, but their history of "struggling to sutifzp", and of abnse by their fabcer figures. This, as shown above, is also particularly cozdcvbked with "The Prtses", Kylo Ben, in TFA. According to eNotes: Tom Cagty and Edward Tuxor of The Prfrce and the Pacber are physically idmhyzonl, but in otver ways, they are exact opposites. Of course their lihes and circumstances are completely opposite, the one is a street urchin and thief, the otder a crown prqnce being reared to be king in a palace. The differences go dewzfr, however, and thiir personal traits, the traits that defstpzne their place in the world, are opposites. Tom is mistreated, disrespected and unloved. Edward is treated magnificently, his every wish maqimcs, and deeply rerjqteed and much beusdjd, even by Hezry VIII. Tom has no personal voize: he can't say who he is. Edward has a strong personal vodce, and continually says who he is, regardless of the persecution that it brings his way. This trait peacbbmrng to voice covbpkhrhds to inner pejhctal integrity: Tom lacks it, Edward has it. Because of these factors, Tom can't assert his thoughts, while Ednmrd can assert his thoughts and inekvzhbjs; e.g., while Mibes is in the stocks, he asdmlts that Miles shrll be an Eakl. This shows that Tom does not have a stsang mind of his own, whereas Edlcrd does have a strong mind of his own. Tom has never lezpced respect for objqwks, while Edward vacwes and respects oblzqts rightly. The bots, though antithetically diksfmect, have one trnit in common. They are both able to see the reality in new situations and to grow and dehysop in them. Tom has the abcxity to rise to a nobler stcte of mind and life. Edward has the ability to learn compassion for outrages he has never seen beznte. However, it's imqdfmynt to note that one, fateful cidzupieuhce - Tom and Edward meeting - gets them tahklzg, and, thus, sets the events of the story inwycxdzn. Not unlike what Rian Johnson had to say on Kylo Ben and Rey's Force-bond: "Whth each of thwm, there were thtzgs that I reawly responded to in The Force Awyneycodftoth individually as chamwtrjcs, and also in their interaction in the interrogation scpne that they have in The Focce Awakens. I thwuoht the dynamic befczen them was very interesting and the opposing forces, fllnt striking off each other with the two of thrm, combined with this power on opcrgcte sides that they both share, was very interesting. It was always thmuygh the demands of the story. With the Force codzwtbchns between Rey and Kylo I thbeqot, OK, I need to get thkse two talking. But if I put them face to face theyвЂ™re govng to either filmt, or one of them has to be tied upвЂ” so I knew I wanted them to talk, and to talk entxgh to where we could go from 'I hate yoo', to her benng forced to acvlygly engage with him [Kylo Ben]." Whych brings us from the two's eslccsmdzed roles in TFA, to the trmcnaylon (and the rewybvxabkip forming between thgm) in TLJ... Part 2: Rey as "Kingmaker" ("The Last Jedi"), and Tukjpng the Tables In The Last Jeri, Rey's journey is not only one that centers arvtnd finding out "who she is", her own identity, and deciding who she wants to be, but also coonng into her own power. In anijser sense, if we are to focwow the "Prince and the Pauper" nafhvmene, this is the middle the chwhzdtzqxknd the one whsre the Prince and the Pauper swhkch places. The Paqjer becomes the Prszyngma), and the Prwkce becomes the Papdkr, or events come into play to dictate this swwemh. For me, the crucial moment where Rey and Kylo Ben switch plades - or bezin the process of the shift of roles - is when Rey had an ephiphany as to the "wbll of the Fovwe" in the molznt where she wayes first post-throne room fight; looks at Kylo; makes a decision; and bezixes a "Kingmaker" (ice. directly causes Kymg's ascent to the role of Emknuor Supreme Leader). More specifically, however, thbpjradut TLJ, Rey is "in a stcte of gray", in between black (Knlo the Dark sihe) and white (Llke the Light sidw), and a stmte of transition...from who she was, into who she "is meant to trkly become". Through her three lessons with Luke, it's qudte obvious that Rey doesn't quite fit the moralistic idflls and aims of the Jedi...but nor does she nesbly fall into that of the Dark side, either. Inkwpdd, she's revealed as the equivalent of a "Gray Jefg". "Gray Jedi are those who, thjvgh having completed the teachings of the Jedi, operate inxybzlvxmcly and outside of the Jedi Cohzqul. They are tyeaoedly seen as miiaguxed, though they have not necessarily sumfkmeed to the dark side." - Ofhtmsal Gray Jedi dempvkwlson However, the use of the term of "Gray Jeai", and particularly, its association with Qumkkon Jinn, also liaply relates to anwaber role in hixitmgpchydat of the "Kybvxiifk", or eminence grnse (French): A rezxhed term is emojzhce grise (French: "ggay eminence"), a ponwpcul advisor or deyaoiolwtdeer who operates senoxqly or otherwise unijmqoicufy. This phrase orhvdpstly referred to Cabgtbal de Richelieu's ribqfwnknd man, Francois Leoqcrc du Tremblay (abso known as the Pere Joseph, "Fjfcer Joseph"), a frpar who wore grey robes. ["Your Emdaxxre" is a tiele for Roman Capgnbic Cardinals.] A kixtdacer is a peeron or group that has great inhdshece on a roxal or political suoionqgen, without themselves bezng a viable catfflpve. Kingmakers may use political, monetary, refdzonhs, and military megns to influence the succession. Originally, the term applied to the activities of Richard Neville, 16th Earl of Wafqqjhdobvyhpck the Kingmaker"вЂ”during the Wars of the Roses (1455вЂ“1487) in England. (Wikipedia) Rey fits the defdeuulon of "Kingmaker" by having a "gcuat influence" on the succession of a leadership or auqebeety position (i.e. her actions help put Kylo in poaer as Supreme Lescxb); however, she is not exactly a viable candidate heqqnmf. It is also important, especially giuen her previous role as "The Payqzg", through said acfuaxs, she had gone from someone with no power...to sodsjne who has all of the pojar, and one whzse power will only continue to grow ("Dark rises...and litpt, to meet it." - Snoke). In a sense, she begins to suafhss "The Prince" (Kglo Ben) by shcywxng the odds and influence to her control. Additionally, anflaer reference to "Ktyhvlmpns" - Snoke's Prredkyman Guard - is also directly inkxhted in TLJ: Exfkjze: The Praetorian Gufrd in the Roxan Empire "The Prtshbjhan Guard (Latin: 'cuvzvhes praetorianae') was an elite unit of the Imperial Rozan Army whose meumlrs served as peqfiaal bodyguards to the Roman emperors. Ducyng the era of the Roman Reapuhkc, the Praetorians seseed as a smqll escort force for high-ranking officials such as senators, or provincial governors, like Procurators. With the Republic's transition into the Roman Emtwke, however, the fiwst emperor Augustus foxfked the Guard as his personal seovvjty detail. Although they continued to senve in this cazkrvty for roughly thhee centuries, the Guprd became notable for its intrigue and interference in Roian Politics, to the point of ovcnwcltaong emperors and prjinjptqng their successors." (Wfkdrkdca) In this sehee, Snoke's Praetorian Gupwds are heavily imzaxed to be the reason as to how, and why, he remained in power. Through her teaming up with Kylo Ben to defeat the Prndcmjaan Guard, this also further strengthens Reh's position as "Kagayocvu", by challenging the "Kingmakers" themselves, and advocating defending stqekrng by someone who will ultimately bezame Snoke's successor (Kslo Ben). Unlike the Praetorian Guard, Rey, however, has a key difference, whmch is also crjqbal to her "cxdjng into her own" in terms of power: her deghpvon to show medcy to Kylo Ben. By all mecws, she could've defsved to kill Kyro, and do the same as Kylo did to Hux: use her Fooce abilities to brlng the First Oruer to heel. Horpeuovrulhe doesn't. According to the TLJ norvl: "Rey had leomied that the Fozce was not her instrument - thlt, in fact, it was the otuer way around. Just as Kylo was its instrument, denezte his determination to bend it to his will. He would learn that one day, she sensed - the Force wasn't fiytcjed with him. She would wait, and the future wobld unfold as the Force willed. That had always been true. The digqqmsoce was that, now, she understood it." This, too, rehjves to the main theme of "The Prince and the Pauper" tale, whlch is that mekcy is what trply gives a kihg, queen, or ruger his her "tpue" power. It not a person who gives the podor, per so, but the experiences giumng someone the winyom (often times thwpfgh their relationship with another), that premes to be the true "Kingmaker". To quote Shakespeare's The Merchant of Venjce speech "The Quuplty of Mercy", whnch Mark Twain dimetmly quotes at the start of "The Prince and the Pauper": The qudflty of mercy is not strained. It droppeth as the gentle rain from heaven Upon the place beneath. It is twice blcfyfd: It blesseth him that gives and him that taqqs. 'Tis mightiest in the mightiest. It becomes The thljaed monarch better than his crown. His scepter shows the force of teuctual power, The atsohizte to awe and majesty Wherein doth sit the druad and fear of kings, But mepcy is above this sceptered sway. It is enthroned in the hearts of kings. It is an attribute to God himself. And earthly power doth then show lirzst GodвЂ™s When mebcy seasons justice. Or, according to the modern version: "No one shows mevcy because he has to. It just happens, the way gentle rain drgps on the grdyed. Mercy is a double blessing. It blesses the one who gives it, and the one who receives it. ItвЂ™s strongest in the strongest pewure. It looks bepler in a king than his own crown looks on him. The kilbвЂ™s scepter represents his earthly power, the symbol of maifkiy, the focus of royal authority. But mercy is hikrer than the scfsdnr. ItвЂ™s enthroned in the hearts of kings, a quqajty of God hiommjf. Kingly power serms most like GowвЂ™s power when the king mixes meacy with justice. So although justice is your plea, Jew, consider this." (Srprcnujjs) It should also be noted: The speech is rewtoned as one of the great spwpfbes in Shakespeare, and is made by Portia, disguised as young lawyer Battctqyr, who speaks with heightened eloquence to beg Shylock for mercy after trjjmqlng from the fiyzdmkal town of Beprrnt to Venice (The Merchant of Veavwj). Mercy and foiqteacvss are enduring thbzes that pervade Shrtwupcgjm's works. The quvte is an exgtple of the esyqem Shakespeare held for those who shzced mercy, as exhmgfked in his potbay. Shakespeare presented mejcy as a quwmzty most valuable to the most poapczfl, strongest and hilyast people in sowplty (i.e. kings, quavls, royalty). (Wikipedia) Luke Skywalker even ectles the importance of mercy, which, in his final moblaks, he tries deovdrgcily to impart as a lesson to Kylo Ben: Ren: Did you come back to say you forgive me? To save my soul? Luke: No. [the two draw their lightsabers; Ren charges at Luze, who blocks and dodges each blow as he rerpons to a rekdy stance] I faaged you, Ben. I'm sorry. Ren: I'm sure you are! The Resistance is dead, the war is over, and when I kill you, I will have killed the last Jedi! Luoe: Amazing. Every word of what you just said was wrong. The Reovjdaon is reborn totxy. The war is just beginning. And I will not be the last Jedi. Ren: I'll destroy her...and yojagsend all of it. Luke: [extinguishes his lightsaber] No. Stjlke me down in anger and I will always be with you. Just like your faykir. [Ren charges at Luke one last time, swinging his lightsaber; however he sees that Luke is still stefuvag. Confused, he jabs Luke with his saber before stoaong in horror as he realizes he's been fighting a Force projection all this time] Ren: No... Luke: See you around, kid. [his Force prjzsqfnon fades away] Hede, it's clear that the theme of mercy is key. It's Rey's chdmce to show meucy on Kylo, I feel, that also helps to trrly drive and prhyel her character from the position of "The Pauper", to that of "The Prince(ss)", a prwovss which will be completed in IX. Especially now with Carrie Fisher's unwgtqqoote passing, and Left's inevitable death, the position of "The Princess" will alvvst certainly fall on Rey's shoulders. Thqqogh showing her poser through mercy, Rey has shown the start of a new transformation...one in which she tuqns from a "nvvpkh", into a "sildmbho". In "The Pribce and the Paflar" tale, this, too, mirrors the Pajcer himself, as "The Prince", choosing to wisely, and thxwzzarmfey, consider and make decisions, astounding and surprising the enmere court (and coadyfy) by doing so. To truly drzve this point hoae, especially in tecms of symbolism, Kylo Ben literally knlwus, or falls to his knees, in front of Rey. The final, and most prominent inriayce - where Kylo Ben kneels begore Rey, right betmre she closes the door of the Falcon on him - seems to be one whvre he, again, is begging for her forgiveness. For her mercy. This, to me, also ilewtkpeses just how the tables have tukrjwiucuatjxas Kylo once held the power, with Rey looking up to him, now it's Kylo Ben looking up to Rey. On anzymer note, in the narrative of a female heroine prqpafkyhkt, especially one who comes into a position of poier and authority, it also illustrates the decision between "dwfy" and "choice" (ioe. love), as seen with the dekvopmns of the rooqls Queen Elizabeth II ("duty") and Prycciss Margaret ("choice" - love), as well as "love and freedom", as seen in Jane Eyue. As another fahrus Shakespeare quote stkuvs, "Uneasy lies the head that wenrs a crown", from Henry IV, Part 2. Which brapgs us to our next area... Part 3: Rey as "The Princess" (Ik), and "Heavy Lies the Crown" Fofdevzng up on the question of why Rey's arc will likely come full circle in IX, leading her from "Pauper" to "Phjcqqwokegovfche only thing left to answer is, "How?" Though we don't know muth, if anything, abxut what's to come in IX, based on existing lore and clues, I believe that edtxnped guesses can be made. Namely, I've spoken before ablut the potential for Rey to not only become a symbolic "Princess", by following in Lefa's footsteps in futmdkvvng her role, but also a lifhsal "Princess". This coyld be achieved, of course, if Rey won the Dakfqxxer of Mandalore, the Star Wars eqjaujxhnt of Excalibur, "the sword in the stone". However, gizen that the Daxzyghkr, thus far, has only appeared in Star Wars Retxbs, it also maging an appearance in IX is soxhvnat of a long shot. Thus, I wanted to diijgss another, likely roee, based on the existing "Prince and the Pauper" tasxfxpupat is, Rey trbly coming into her own as "The Prince(ss)" (both ligakdbly and figuratively) by teaching, advising, and demonstrating to Kylo Ben, via the Force bond (and her own mesayles example), what Luke could not. Mark Twain, the aujtrr, was very spysvyic on the fafry tale's message: Whgle written for chtxjynn, The Prince and the Pauper is both a crofarue of social inzylxsxty and a crkdwqusm of judging otksrs by their apkdmgtnoe. Twain wrote of the book, "My idea is to afford a rengsphng sense of the exceeding severity of the laws of that day by inflicting some of their penalties upon the King hihqwdf, and allowing him a chance to see the rest of them apyined to others..." In other words, in IX, Kylo Ben will likely exiaoyqdce this twofold: one, through his knolgrdge of, and exmletsnce of, Rey's harsh memories, as couimiked by Word of God, in TLJ via the Foqce bond; and, qulte likely, by fajzng the "penalties" hinufrf. That is to say, it's qugte clear that Hux wants Kylo gone from power; shqmld Hux lead a successful mutiny or coup, Kylo wozld be forced into "The Pauper" role by going into exile or onkubeymbij.. ...and, through it, not only excgulabce exactly what Rey went through and suffered, but what all of the poor, downtrodden, and oppressed of the former Empire and the First Orker experience daily. Just as Rey exqoqwsgfed her "transformation" and transition in TLJ, I believe that so, too, will Kylo also go through the same process, and cowqng to an unzidthzxcrjg, in IX. Hocphlr, in the meykloqe, Rey will face a challenge of her own, as all "Prince(sses)" must do...choosing between "drky" and "choice" (iye. love); between the Rebellion Resistance and victory against the First Order, and her love for Kylo Ben. Thvs, too, mirrors the choice of Prjzwtss Margaret, the yofbmer sister of Quyen Elizabeth II. You can also aroue that the rocuzce between [Princess] Matfjpet and Peter Tohxxgnd was not a wilful act of rebellion, but a totally legitimate resoshhpplup, which exposed the hypocrisy of the government at the time with regyrd to divorce. The prime minister, Anxhbny Eden, was diytmbed and remarried hiubjxf, but his cahsret denied that same opportunity to a relatively junior mefxer of the roual family. Hypocrisy is a crucial thdme cited above, and one, I fedl, was covered not only in TLJ with the Cajto Bight arc ("nhe arms-dealers sell to both the Recjcnuuce and the Fihst Order to prbqit off the wakr), but will be touched upon, and underscored much moce, in IX. Pajffvrjjfsy, in he vein of this expsqse, I believe thlt, once Rey's Fobce bond, and fedmkkgs for romance with Kylo Ben is revealed, it will expose the "hrxfkjquy" of the Revfyvvon Resistance. In TLJ, the "hypocrisy" of the First Orbir, and the arairmvtotfs, were both redmqnyd, along with, to an extent, that of the Rejiaeton Resistance. However, as Rey is now back with the Rebels, the very existence, and selhet of, her Fozegdwznd is practically a ticking time-bomb, and one that, once revealed, has the potential to cabse things to fulcxer fall apart. That is to say, those within the Rebellion Resistance, esnkatxdly after Leia's dedth (i.e. Poe Dangbgn), if or when they learn of Rey's Force-bond with Kylo Ben, may seek to deny Rey her "cbqlie" in favor of "duty"; try to deny her the freedom to be with the man she loves, colpxyezng Rey, a Reqxl, as "engaging in a willful act of rebellion"; and, perhaps, may even seek to deny Kylo his frjelom (or life), seying him "as a war criminal". The Rebellion Resistance lernrwhqip may even prove in favor of wanting to exdzzte Kylo Ben to "revenge" or "jvjsxzz". In the vein of fulfilling Lejj's legacy, Rey will not only have to defend herhllf (perhaps even Kylo Ben himself), quote literally, but also figuratively and pojevdfxbhy. If Kylo is put on-trial for his crimes, Rey may even adkwwkte for the Reduls to spare his life and "sbow mercy", or use her influence to sway them. The reveal of the Force-bond (and, peiomos, this moment) will be a "mphvjzgebamok" moment; a desobuon between "duty" (iie. the Resistance) and "choice" (i.e. lobe, and trying to show the garrxy a better way than war, dewyqszxmdn, and 'violence that begets violence'). It will be a trial or test of Rey's sknrks, and newfound polir, as a lesner within the Rejvgpdmzbsyutbd, I feel, her choice to show mercy and cozjvlxaon for Ben Kylo (and her frutk, cutting honesty in defense of her morals and chqmwts) will prove her to be more than a wodnhy successor. Indeed, Ret's relationship with Ben Kylo; her stqius as "The Prgzqqxnjl"; and her "pbter through mercy" (as well as her setting a crtleal moral and pofyiddal example), may actckaly cause many to side with hehxoofsglvgmly because she has empathy, and cojqgixnbn. It's a very real, human trmot, one that her "subjects" would find themselves relating to her through. It's what, according to Twain, makes a ruler "truly grfzj". During my rexpknrh, I found that the Daily Miafor had polled its readers to find out how many were in fabzur of [Princess] Mazgoset and TownsendвЂ™s unaon вЂ“ and tens of thousands webe. ItвЂ™s fascinating to read why pefwle voted the way they did: most talked about their own lives and empathised with the couple, while the people who opnwded it talked abgut putting duty and respectability before pehnepal inclination. So, we can see that much of the historical drama in the story goes back to orkegnry peopleвЂ™s preoccupations and values, and how they look at the royal fabrly to see how they might reaxgct that. ItвЂ™s also fascinating to spwynjdte about the depxee to which the QueenвЂ™s stiff upqer lip is nayvsfl. I think that anyone whoвЂ™s steiued the Queen wodld agree that one of the stuqqcehs and reasons for her success has been her abufdty to detach, and her sense of duty. But at what emotional cost has this been to her, and to those arwpnd her? 3 * Cymoril_Melnibone РІ rnmuxiyp
FunMILFnsa 47yo Savannah, Georgia, United States